Wednesday, December 31, 2008

God Bless The Dead - Eartha Kitt R.I.P.


If you think this sister was just the character that she played on "Boomerang", you got another thing coming....

BIO

EARTHA KITT is an international star who gives new meaning to the word versatile. She has distinguished herself in film, theater, cabaret, music and on television. Miss Kitt is one of only a handful of performers to be nominated for a Tony (three times), the Grammy (twice), and Emmy Award (twice). She regularly enthralls New York nightclub audiences during her extended stays at THE CAFÉ CARLYLE and these intimate performances have been captured in her newest recording, Eartha Kitt, Live at The Carlyle.

Miss Kitt's distinctive voice has enthralled an entirely new generation of fans. Young fans loved her as YZMA, the villain, in Disney's animated feature THE EMPEROR'S NEW GROOVE, (2001 Annie Award for Best Vocal Performance / Animated Feature). Miss Kitt was also featured in the sequel, THE EMPEROR'S NEW GROOVE II and reprised the role in the popular Saturday morning animated series THE EMPEROR'S NEW SCHOOL for which she received a 2007 and 2008 Emmy Award for Outstanding Performer in an Animated Program and a 2007 and 2008 Annie Award for Best Vocal Performance in an Animated Television Production.

Eartha Mae Kitt was ostracized at an early age because of her mixed-race heritage. At eight years old, she was given away by her mother and sent from the South Carolina cotton fields to live with an aunt in Harlem. In New York her distinct individuality and flair for show business manifested itself, and on a friend's dare, the shy teen auditioned for the famed KATHERINE DUNHAM DANCE TROUPE. She won a spot as a featured dancer and vocalist and before the age of twenty, toured worldwide with the company. During a performance in Paris, Miss Kitt was spotted by a nightclub owner and booked as a featured singer at his club. Her unique persona earned her fans and fame quickly, including Orson Welles, who called her "the most exciting woman in the world". Welles was so taken with her talent that he cast her as Helen of Troy in his fabled production of DR. FAUST.

Back in New York, Miss Kitt was booked at The Village Vanguard, and soon spotted by a Broadway producer who put her in NEW FACES OF 1952 where every night she transfixed audiences with her sultry rendition of Monotonous. Her show stopping performance in NEW FACES, which ran for a year, led to a national tour and a Twentieth Century Fox film version.

Broadway stardom led to a recording contract and a succession of best-selling records including Love for Sale, I Want to Be Evil, Santa Baby and Folk Tales of the Tribes of Africa, which earned her a Grammy nomination. During this period, she published her first autobiography, THURSDAY'S CHILD. Miss Kitt then returned to Broadway in the dramatic play MRS. PATTERSON, and received her first Tony nomination. Other stage appearances followed, as did films including THE MARK OF The HAWK with Sidney Poitier, ANNA LUCASTA with Sammy Davis, Jr. and ST LOUIS BLUES with Nat King Cole.

In 1967, Miss Kitt made an indelible mark on pop culture as the infamous CATWOMAN in the television series, BATMAN. She immediately became synonymous with the role and her trademark growl became imitated worldwide.

Singing in ten different languages, Miss Kitt has performed in over 100 countries and was honored with a star on The Hollywood Walk of Fame in 1960. In 1966, she was nominated for an Emmy for her role in the series, I SPY. In 1968, Miss Kitt's career took a sudden turn when, at a White House luncheon hosted by Lady Bird Johnson, she spoke out against the Vietnam War. For years afterward, Miss Kitt was blacklisted in the U.S. and was forced to work abroad where her status remained undiminished. In December 2006 she returned to Washington and lit the National Christmas Tree alongside President and Mrs. George W. Bush

In 1974, Miss Kitt returned to the United States, with a triumphant Carnegie Hall concert and, in 1978, received a second Tony nomination for her starring role in the musical, TIMBUKTU. Miss Kitt's second autobiography, ALONE WITH ME, was published in 1976 and I'M STILL HERE: CONFESSIONS OF A SEX KITTEN was released in 1989. Her best-selling book on fitness and positive attitude, REJUVENATE! (IT'S NEVER TOO LATE), was released by Scribner in May 2001.

Live theater is Miss Kitt's passion. In 2001, Broadway critics singled her out with a Tony and Drama Desk nomination for her role as Dolores in George Wolfe's THE WILD PARTY. Over the last few years, she has starred in National Tours of THE WIZARD OF OZ and Rogers & Hammerstein's CINDERELLA. In December 2003, Miss Kitt dazzled Broadway audiences as Liliane Le Fleur in the revival of NINE, THE MUSICAL. In December 2004, she appeared as The Fairy Godmother in The New York City Opera production (Lincoln Center) of CINDERELLA. She also starred in the off-Broadway production of MIMI LE DUCK (2006) and The Westport County Playhouse production of THE SKIN OF OUR TEETH (2007).

Miss Kitt remains devoted to performing in front of live audiences, from intimate cabarets to concert halls with local symphonies. Recent engagements include appearances with The Atlanta Symphony, The Portland Symphony, Detroit's Music Hall, D.C.'s Blues Alley, Seattle's Jazz Alley, Palm Beach's Kravis Center for the Performing Arts, The Mohegan Sun, Sarasota's Van Wetzel Center for the Performing Arts Festival. She is especially proud to have brought her one-woman show to the 51st Annual JVC Newport Jazz Festival and the Miami Beach JVC Jazz Festival.

In February 2007, Miss Kitt returned to London after a 15 year absence for a remarkable series of sold-out performances at The Shaw Theater. She returned to Great Britain in 2008 to critical raves at London’s Place Pigalle and to headline the prestigious Cheltenham Jazz Festival .

On January 17 2007, Miss Kitt turned eighty years old and marked the occasion at Carnegie Hall with a celebratory concert, JVC Jazz presents EARTHA KITT AND FRIENDS.

She resided in Connecticut near her daughter Kitt Shapiro and four grandchildren.

Eartha Kitt Video:

http://www.youtube.com/watch?v=6IfGBQ-T_GY&feature=PlayList&p=432E727B68BAD182&playnext=1&index=2

Eartha with Nat King Cole
http://www.youtube.com/watch?v=kNr1b_zDJGI&feature=related

Tuesday, December 23, 2008

Happy Holidays!!


My blog will be offline for the holiday...see ya next week!!!

Monday, December 22, 2008

Brutha does an acapella version of Love Lockdown




I knew I slept on these boys....WoOoOooOWWW

Know Your History - Ice-T


Tracy Lauren Marrow (born February 14, 1959 in Newark, New Jersey) better known by his stage name, Ice-T, is a rapper, actor, and author. He is credited with helping create gangsta rap in the late 1980s.

Personal background
Although one of West Coast hip hop's leading figures, Marrow, son of Solomon and Alice,[1] was actually born in urban Newark, New Jersey, and christened Tracy by his father. When he was a child, he moved from his native Newark to the upscale community of Summit, New Jersey. His mother died of a heart attack when he was in third grade and his father died of a heart attack four years later.[2] After his father died, he went to live with his paternal aunt in California and later attended Crenshaw High School in the district of the same name in South Central Los Angeles. After high school, he entered the 25th Infantry Division in the United States Army, an experience he has said he did not enjoy.


He was previously in a relationship with Darlene Ortiz, who was featured on the covers of his 1987 album Rhyme Pays and his 1988 album Power.[6] Currently, Ice-T is married to swimsuit model Nicole "Coco Marie" Austin.[1]


Music career
Ice-T performs at a Body Count concert in Prague, 2006.
After leaving the Army, Ice-T began his extremely long career of recording raps for various studios on 12-inch singles. These tracks were later compiled on The Classic Collection and also featured on disc 2 of Legends of Hip-Hop. His first song was "The Coldest Rap" in 1982. His first official gangsta rap record was "6 in the Mornin'".


He finally landed a deal with a major label Sire Records. When label founder and president Seymour Stein heard his demo, he said, “He sounds like Bob Dylan.”[7]Shortly after, he released his debut album Rhyme Pays in 1987 supported by DJ Evil E, DJ Aladdin and producer Afrika Islam, who helped create the mainly party-oriented sound; the record wound up being certified gold by the RIAA. That same year, he recorded the title theme song for Dennis Hopper's Colors, a film about inner-city life in Los Angeles. His next album Power was released in 1988, under his own label Rhyme Syndicate, and it was a more assured and impressive record, earning him strong reviews and his second gold record. Released in 1989, The Iceberg/Freedom of Speech... Just Watch What You Say established his popularity by matching excellent abrasive music with narrative and commentative lyrics.


In 1991 he released his album OG: Original Gangster, which is regarded as one of the albums that defined gangsta rap. On OG, he introduced his band Body Count in a track of the same name; Ice-T toured with Body Count on the first annual Lollapalooza concert tour in 1991, gaining him appeal among middle-class teenagers and fans of alternative music genres. The self-titled debut album by Body Count followed.[4] For his appearance on the heavily collaborative track "Back on the Block", a composition by jazz musician Quincy Jones that "attempt[ed] to bring together black musical styles from jazz to soul to funk to rap", Ice-T won a Grammy Award for the Best Rap Performance by a Duo or Group, an award shared by others who worked on the track including Jones and fellow jazz musician Ray Charles.[8] Controversy later surrounded Body Count over its song "Cop Killer", a song intended as a narrative from the view of a criminal killing a police officer, from the National Rifle Association and various police advocacy groups.[4] Consequently, Time Warner Music refused to release Ice-T's upcoming album Home Invasion simply because of the controversy surrounding "Cop Killer". When Ice split amicably with Sire/Warner Bros. Records after a dispute over the artwork of the album Home Invasion, he reactivated Rhyme Syndicate and formed a deal with Priority Records for distribution; Priority released Invasion in the spring of 1993.[9] The album peaked at #9 on Billboard magazine's Top R&B/Hip-Hop Albums and at #14 on the Billboard 200, [10] spawning several singles including "Gotta Lotta Love", "I Ain't New To This" and "99 Problems" - which would later be covered by Jay Z in 2007. Ice-T had also collaborated with certain other heavy metal bands during this time period. For the film Judgment Night, he did a duet with band Slayer on the track "Disorder".[11] In 1995, Ice-T made a guest performance on Forbidden by the heavy metal band Black Sabbath.[1] Another album of his, VI - Return of the Real came out in 1996, followed by The Seventh Deadly Sin in 1999.


His first rap album since 1999, Gangsta rap, was released on October 31, 2006. The album's cover, which "shows [Ice T] lying on his back in bed with his ravishing wife's ample posterior in full view and one of her legs coyly draped over his private parts," was considered to be too suggestive for most retailers, many of which were reluctant to stock the album.[13] Some reviews of the album were unenthusiastic, as many had hoped for a return to the political raps of Ice-T's most successful albums.


One of the last scenes in Gift includes Ice-T and Body Count playing with Jane's Addiction in a version of the Sly and the Family Stone song "Don't Call Me Nigger, Whitey."
Besides fronting his own band, Ice-T has also collaborated with other hard rock and metal bands, such as Icepick, Motörhead, Pro-Pain, and Six Feet Under. He has also covered songs by hardcore punk bands such as The Exploited, Jello Biafra, and Black Flag. Ice-T made his first appearance at Insane Clown Posse's Gathering Of The Juggalos (2008 edition).[14].

Acting career
Ice-T debuted as an actor in the films Breakin' and Breakin' 2: Electric Boogaloo in 1984, only two years after his first 12" ("The Coldest Rap," 1982) appeared. In 1991, he embarked on a serious acting career, playing a police detective in Mario Van Peebles' feature film New Jack City, gang leader King James in Trespass (1992), followed by a notable lead role performance in Surviving the Game in addition to his many supporting roles, such as J-Bone in Johnny Mnemonic (1995), and the marsupial mutant T-Saint in Tank Girl, 1995. Ice-T was also interviewed in the Brent Owens documentary Pimps Up, Ho's Down,in which he is quoted as saying "I can't act, I really can't act", and raps at the Players Ball.
In 1993 Ice-T along with other rappers and the three Yo! MTV Raps hosts Ed Lover, Doctor Dre and Fab 5 Freddy starred in the comedy Who's the Man? directed by Ted Demme.In this movie Ice is a drug dealer who gets really frustrated when someone calls him by his real name "Chauncey" rather than his street name "Nighttrain".


In 1995 he had a recurring role as vengeful drug dealer Danny Cort on the television series New York Undercover, which was co-created by Dick Wolf. In 1997, Ice-T co-created the short-lived series Players, which was produced by Wolf. These two collaborations led Wolf to add Ice-T to the cast of Law & Order: Special Victims Unit, where the rapper has portrayed a former undercover narcotic officer, transferred to the Special Victims Unit, Detective Fin Tutuola since 2000, whose character says he is a Republican.[6] Ice-T also appeared in the Law & Order universe as pimp Seymour "Kingston" Stockton in Exiled: A Law & Order Movie. His participation in this show is ironic, given the early controversy surrounding his group Body Count with their song "Cop Killer". Ice-T also appears in the movie Leprechaun: In the Hood. He once was presenter on Channel 4's Baaadasss TV.


In 1999, Ice-T starred in the HBO movie Stealth Fighter as a United States Naval Aviator who fakes his own death, steals a F-117 stealth fighter and threatens to destroy United States military bases. This movie is often criticized for its poor script, military inaccuracies, and significant use of footage from other movies.


Ice-T voiced Madd Dogg in the video game Grand Theft Auto: San Andreas as well as Agent Cain in Sanity: Aiken's Artifact. He also appears as himself in Def Jam: Fight for NY and UFC: Tapout fighting video games.


Ice-T made an appearance on Chappelle's Show as himself presenting the award for "Player Hater of the Year." He was dubbed the "Original Player Hater."

At WrestleMania 2000, Ice-T performed his song "Pimpin Ain't Easy" during The Godfather and D'Lo Brown's entrance.


He also played as Hamilton in a 2001 thriller film named 3000 Miles to Graceland.
Beyond Tough, a 2002 documentary series aired on Discovery Channel about the world's most dangerous and intense professions, such as alligator wrestlers and Indy 500 pit crews, was hosted by Ice-T.


In 2007, he appeared as a celebrity guest star on the MTV sketch comedy show Short Circuitz. Also in late 2007, Ice-T appeared in the short-music film "Hands of Hatred" which can be found online.

Reality television
On October 20, 2006 Ice-T's Rap School aired and was a reality television show on VH1. It was a spin-off of the British reality show Gene Simmons' Rock School, which also aired on VH1. In Rap School, rapper/actor Ice-T teaches eight teens from York Preparatory School in New York City how to become a real hip-hop group called the "York Prep Crew" ( "Y.P. Crew" for short). Each week, Ice-T gives them assignments and they compete for an imitation gold chain with a microphone on it. On the season finale on November 17, 2006, the group performed as an opening act for Public Enemy.
Ice-T also made an appearance on NBC’s new game show "Celebrity Family Feud" on June 24th 2008. In the show Ice-T and Coco teamed up in a competition against Joan and Melissa Rivers to compete for their favorite charity. The Rivers family won their round.
Ice-T also made an appearance in a reality television showin the early 2000s, an episode of the MTV show, Cribs.

No more "Superman that OOOOOoOOooHHHH!""

If Soulja Boy Tell'Em is serious, this is a real good look for him.....

EPIC FAIL - Something in this picture does NOT belong!!!


Picture is courtesy of Media Take Out.com

Wowwwww......this is really sad.

Friday, December 19, 2008

This is a classic example of why certain athletes should not rap....

Damn Roy.....I am so glad that you put the microphone down...


What were some of your favorite Christmas gifts??

Morning family!

As we are very well aware, next week is Christmas. With that being said, I had to blast back into time to think about some of my favorite Christmas toys. I have a list of my favs below. ENJOY!!

  1. Transformers (no, not Gobots)
  2. GI. Joes
  3. Tyco Race Car Racks
  4. Lionel Train sets
  5. Board Games
  6. Remote Control Cars
  7. Cash (Yes, a few x-mas's my family gave us cash)
  8. Rock n Sock Em' Robots
  9. Nerf Basketball Hoop
  10. Video Game Consoles

Thursday, December 18, 2008

HIp Hop Low Moment - MC Hammer dancin' for chicken...

Fellas....wow!


No Homo from FWMJ on Vimeo.

Peep Freaky Zekey....LOL.

** The No Homo and FagSet was attached to the post. I had nothing to do with that. - One, Cap-D

MY 100TH POST!!!!!!!! I don't give a kcuf, there is nothing cool about crack...PERIOD!!!!



Good morning, family!

Well...I had a thought on my way to work today. And it's actually a very serious matter. It's about our two decade long fight with crack cocaine.

As I was listening to one of my favorite rap groups, for some reason today, I was deeply disturbed by their references of "hustling crack", "chopping o's", "getting that work", "buying that cook up to flood the streets". And all of those references was in just one song!! I don't know... maybe I am having one of my "old man on the corner" moments, but I sat and thought to myself, "Damn, it's 2009 and we are still hustling and bragging about crack? WTF?"

I know I have been picking on Young Jeezy as of late, but I keep thinking about that Monie Love interview that he had some years ago when Monie asked him why he couldn't get a real job versus selling crack. He gave an extremely lackluster answer, something to the effect that not everyone wants to flip burgers.... Wow.

Can we all agree finally that there is nothing cool about smoking crack, selling crack, making crack or anything associated with crack? Please? I think for too long our community as a whole has almost made crack a humorous joke.

For those who do not know what crack is, allow me to give you a brief description:


Crack (Crack Cocaine)
Crack cocaine, crack or rock is a solid, smokable form of cocaine. It is a freebase form of cocaine that can be made using baking soda (sodium bicarbonate) or sodium hydroxide,[1] in a process to convert cocaine hydrochloride (powder cocaine) into methylbenzoylecgonine (freebase cocaine)

Translation? It's a cheaper and more accessible way to destroy your life.

Selling Crack is made "cool"
Around the mid to late 80's, the crack epidemic had decimated the black communities. Similar to the heroin epidemic of the late 60's, the crack phenomenon swept through the urban centers of America like a leviathan. Family structures were destroyed, children were left homeless, violence levels erupted to unprecedented levels and the fast life of crack sales became alluring to our youth. As a result, many of our young men were incarcerated.

Today, there is no shortage of emcees that have to discuss their struggles which involved selling crack to further destroy their/our communities. Of course, none of these emcees say nothing about how they are in essence, part of the overall problem. The rationale that is typically used is "Well, if I don't sell it, someone else will"...or "I might as well make this money because someone else will get it." Wow! is it really like that???

I truly understand that there is a vast portion of our young people who did not have the best environments, positive role models in the home or examples to look up to. I get that. But that is also an excuse. We have had family members and ancestors who dealt with MUCH MORE ADVERSITY than what we are going through and they still remained positive!!! They still made strides in a positive fashion.

About a year ago, I ran across the following youtube video. Needless to say I was extremely appalled. (The fact that this video is still up is disturbing) I immediately sent this to all of my friends to show them that our babies could get access to this type of information...with just the mere click of a mouse. What's even scarier is that there are some major store chains that actually carry the following DVD.

THE FOLLOWING VIDEO IS NOT TO CONDONE THE MAKING OF CRACK COCAINE. IT IS MERELY AN EXAMPLE OF HOW COMMON PLACE AND DISGUSTINGLY EASY FOR OUR CHILDREN TO GAIN ACCESS TO THIS INFORMATION!!!







Think your kids are safe?? Crazy, isn't it???


Crack is made "loveable" and "funny"
Even today, we have made crack and it's fallout loveable and humorous. Allow me to give you an example...



We all love Dave Chappelle and his very witty and humorous comedic skits. One of his many characters is a crackhead named Tyrone Biggums. Throughout his short run television series, Tyrone Biggums was seen doing hilarious feats in variety of different settings lampooning the average crackhead. I will be the first to admit that I thought the character was funny as hell, but today, I wondered how did the portrayal of Tyrone Biggums affect those who have been scarred by crack??? Would it still be funny if we knew that Tyrone Biggums used to be a good, family guy, but after losing his job and succumbing to the stresses of life, he began using and abusing? What if we went a step further and said that Tyrone neglected his family, disappeared months on end, stole from relatives and friends to support his habit? Would it still be funny?? I know that the answer would be a resounding no. And that's the problem...crack has become so commonplace and entrenched in our community and families that we are almost immune to it's effects.

Of course I am not blaming Dave Chappelle for his comedic insight, but I just wanted to make a point that we have become so benign to such representations that it's has become laudable.

I apologize for being all over the place with this...but that's what a blog is for... Feel free to chime in.

Tuesday, December 16, 2008

I have no words.....


Shad K - My new favorite rapper...and he should be yours too...

Unless you are a complete and utter moron, you should already know that Canada has some of the dopest emcees out in the game. Allow me to introduce you to my main man Shad K. Dude's word play is digustingly sick...peep his spin on the Fresh Prince of Bel-Air intro.....




"Watching"




One - Cap-D

Jamie Foxx kills Terence Howard...LMBAO. Pure comedy!!!

Hey family,

Anyone who knows me knows that I am a HUUUUUUUUUUGE Jamie Foxx fan. I recently stumbled on a youtube interview where Jamie is tearing Terence Howard a new one...check it out!


Monday, December 15, 2008

Want something else to listen to instead of rap? Check out Stefon Harris!!!!!




A few days ago, I was shopping in one of my favorite CD stores when I accidently meandered over into the jazz section. Of course, I was surrounded by the greats...Dizzy, Bird, Trane, Miles, Ella, and so on and so on. In the midst of my browsing, this one particular album cover caught my eye. The cover showed a brother with a tarantula on his head!! I was like, "wtf??" I immediately picked it up....

The brother's name was Stefon Harris and this album, aptly titled "African Tarntella" contained some interpretations of some classic Duke Ellington suites. I examined the cover further and I noticed that Stefon looked to be around my age. It was refreshing to see that young cats still did the damn thing in this genre of music!! I was also intrigued over the fact that this guy picked the vibes as his instrument of choice!!! The frickin' vibes!!! The least sexy of all of the jazz instruments. (LOL!) I said to myself, "This cat must really be the man, because other Lionel Hampton, Roy Ayers or Milt Jackson, I couldn't name one other single "cool" vibraphonist!"

On a whim, I said "What the hey?" and purchased a copy of the album. Boy, am I glad that I did that!! The album is actual, bonafide jazz music. Not the sticky sweet musings of Daz Koz-ish type of jazz isht, but actual jazz!!! Needless to say, I have since purchased Mr. Harris's entire catalog and make plans to see him the next time he is in NYC.


In any case, check out this brother. Good stuff!!!




Background

Vibraphonist-composer Stefon Harris is heralded as "one of the most important young artists in jazz" (The Los Angeles Times). He is unquestionably developing what will be a long and extraordinary career.

Stefon Harris' passionate artistry, energetic stage presence, and astonishing virtuosity have propelled him into the forefront of the current jazz scene. widely recognized and lauded by both his peers and jazz critics alike, the 30 year-old is committed to both exploring the rich potential of jazz composition and blazing new trails on the vibraphone.

A graduate of The Manhattan School of Music, he received a B.A. in Classical Music and an M.A. in jazz performance. Stefon is a recipient of the prestigious Martin E. Segal Award from Lincoln Center and has earned back to back to back Grammy nominations for Best Jazz Album including The Grand Unification Theory (2003), the 2001 release of Kindred (Blue Note) and his 1999 release of Black Action Figure (Blue Note) for Best Jazz Instrumental Solo. North Sea Jazz (Netherlands) named Harris for the prestigious International 2002 Bird Award for Artist Deserving Wider Recognition. He has been voted Best Mallet player by the Jazz Journalist Association (2003, 2002, 2001 and 2000), Debut Artist of the Year by Jazztimes, Downbeat's Critics Poll Winner for Vibraphone and Rising Star, Vibraphone (2003) Newsweek's Best Jazz CD, Best New Talent and 1999-2000 Readers Poll Best Vibraphonist by Jazziz Magazine and Chicago Tribune's Debut of the Year.

Mr. Harris has performed at many of the world's most distinguished concert halls, including Lincoln Center's Alice Tully Hall. The Kennedy Center, San Francisco's Herbst Theater, UCLA's Royce Hall, Chicago's Symphony Center, Detroit's Orchestra Hall, and The Sydney Opera House. He has toured and recorded with the Chamber Music Society of Lincoln Center and performed his original compositions with the Dutch Metropole Orchestra in Den Hague. He has toured South Africa, Brazil and Europe performing at the North Sea Jazz Festival, Istanbul Jazz Festival and the Umbria Jazz Festival, among others.

In 2001 he premiered "The Grand Unification Theory" -- a full length concert piece commissioned by The Troy Savings Bank Music Hall which was later presented at the New Jersey Performing Arts Center. He has also appeared at the legendary Playboy Jazz Festival, Montreal Jazz Festival and the Orange County Performing Arts Center. Most recently Mr. Harris received a commission from The Wharton Center for Performing Arts, Michigan State University which will debut in 2005.

An active educator Mr. Harris conducts over 100 clinics and lectures annually at schools and universities throughout the country. He is currently Artist in Residence at San Francisco Performances and in 2002 at The Isabelle Stewart Gardner Museum in Boston. In addition he has been an active member of the Executive Board of Directors for Chamber Music America
"Blackout," Stefon's new project featuring a hybrid of acoustic music and progressive sounds debuted its CD, Evolution in April 2004 and also embarked on a national tour. Praised for "pursing jazz on it’s own terms" (Washington Post); the band features Casey Benjamin (alto sax), Marc Cary (keyboards), Darryl Hall (bass) and Terreon Gully, and has performed to sold out crowds at The Kennedy Center and North Sea Jazz Festival.

The 2003 release of The Grand Unification Theory; an eleven movement piece featuring Latin, Classical, African and Jazz influences earned a Grammy nomination, JAZZIZ Critics Choice and 4 star reviews from Downbeat Magazine, Rolling Stone and The Los Angeles Times.

His 2001 CD Kindred earned him his second Grammy nod for Best Jazz Album. A quartet recording with the noted pianist Jacky Terrasson Kindred is a follow-up to his sophomore release Black Action Figure (Blue Note Records) which was also nominated for a Grammy for Best Jazz Instrumental Solo. His premiere as a leader, A Cloud of Red Dust, was voted Best Debut Recording at the 1999 New York Jazz Awards.

In addition to leading his own band, Mr. Harris has recorded as part of The Classical Jazz Quartet, a series of jazz interpreted classics with Kenny Barron, Ron Carter, and Lewis Nash. He has also recorded and toured with many of music's greatest artists, including Joe Henderson, Wynton Marsalis, Cassandra Wilson, Buster Williams, Kenny Barron, Charlie Hunter, Kurt Elling, Cyrus Chestnut, Steve Coleman, and Steve Turre among many others.

Why are all of these grown a** men and women calling themselves "Lil"?

Even Bow Wow stopped calling himself this... Let's take a look at how many grown a** men and women are calling themselves "Lil"....

Lil Dap
Lil Fame
Lil Puppet
Lil Rob
Lil Thug
Lil' 1/2 Dead
Lil' Boosie
Lil' Cease
Lil' Flip
Lil' Jon
Lil' Kim
Lil' Scrappy
Lil' Wyte
Lil-redd
Lil1/2Dead
Little Daddy Shane
Little Indian


And no, I didn't forget Lil' Mama. She is still a child.

These young boys couldn't see OUR choreography back in the days...

Peep this video from one of my favorite groups, TROOP. These boys were killing the choreography. OoOooOooOoOWEEEEEEE!




They were getting it in!!!!!!

Artist Spotlight - Stacey Avian Robinson

If you guys want to see some incredible art, check out Stacey Avian Robinson's websites. here's a sample below:






The websites:

http://www.blackstar.cc/

http://www.blackstar-shabach.deviantart.com/

www.myspace.com/staceyrobinson



Know Your History - MC Trouble (God bless the dead)


Hey fam,

Today's "Know Your History" is a bit different. I want to recognize an emcee who has received very little fanfare due to the fact that she was taken at search an early age. MC Trouble in many respects was the pre-cursor to Missy Elliot...she could rap, sing, dance and out perform a lot of her male counterparts. I first saw her on the pay-per view Rap mania concert in the late 80's. (For those of you who don't know, Rapmania was a mega concert were rap legends gathered together to perform simultaneous concerts in New York at the Apollo and at L.A.'s The Palace to celebrate the roots of hip hop.) 17 years after her death, I still remember her infectious smile, dancing abilities and her love for hip hop.

In any case, at age 35, I have forgotten you, baby girl. Miss ya...


Herstory

MC Trouble (born LaTasha Sheron Rogers) (July 30, 1970 - June 4, 1991) was a rap artist, and the first female rapper signed to Motown Records.

MC Trouble had a minor hit with the song "(I Wanna) Make You Mine" featuring labelmates The Good Girls released May 25, 1990. "Make You Mine" peaked at #15 on the Billboard Rap Charts. The title track of her debut album Gotta Get A Grip was released as a second single on September 14, 1990. Gotta Get A Grip showed promise as a mix of hardcore rap and more commercial R&B.

Tragically, MC Trouble died in her sleep on June 4, 1991 while at the home of a friend in Los Angeles, CA shortly after suffering an epileptic seizure which resulted in heart failure.


"I Want To Make You Mine - MC Trouble feat. The Good Girls"






"Get A Grip"



Friday, December 12, 2008

UH OH!!!!! Bussa Bus caves...pulls Arab Money song and video

The American rap star Busta Rhymes has reportedly apologised to Arabs and Muslims after one of his songs was criticised at home and abroad, including by a Dubai-based rapper who said it was demeaning.

UAE-born Yassin Alsalman, who records under the name Narcicyst, said the artist called him to explain that he did not mean to offend with his single Arab Money.

The video for the song shows Rhymes rapping about the Burj Dubai hotel, depicts him gambling with the late Palestinian leader Yasser Arafat and posing in front of expensive cars.

The track can no longer be heard on radio stations or bought in shops, but can still be downloaded online. Alsalman said Rhymes said the track would also be removed from the internet.

After hearing the song, Alsalman felt compelled to record his own song, The Real Arab Money, in response. He posted it on the internet and was astonished to receive a phone call from Rhymes.

“He pulled the track and the remix that came out with it after the negative feedback going on in the Arab and Muslim community,” said Alsalman, 26. “He called me personally and said he wanted to tell the Arab and Muslim community that he apologised. He said he was grateful for their reaction and he would take whatever steps were required to clarify the situation.
“What he did was an extremely commendable act as a man. He said that he would have felt the same reaction if he thought someone was disrespecting his culture as an African American. He said he wanted to respect Arab culture because it deserves appreciation and so he was pulling his song.”

The song has also been controversial in the UK, where this month a DJ was suspended from Galaxy Radio for playing Arab Money after the station received complaints. “Galaxy would like to apologise to all our listeners for the airing of this song. It was never Galaxy’s intent to offend its listeners and never will be,” the company said.
Alsalman said the portrayal of Arabs in the song reflected deeper cultural misunderstandings between the US and the Middle East.

“It was the cultural consultancy of the song that was a problem, if you will,” he said.

“I didn’t do this for the publicity, I did it out of respect for my culture. I never assumed Busta Rhymes was an ignorant man, I assumed he just didn’t really know about us. It’s a huge thing for an individual artist to pull his main single from the shelves. His act went beyond what I expected and I look up to him even more now. He is not about the money, he is about art, culture and respect.”
Alsalman has also removed his track criticising Rhymes from the internet.

Rhymes has visited and performed in Dubai and would relish the opportunity to return, Alsalman said.

“He loves Dubai and he wants to come back here.”

“His reaction shows that hip hop is the United Nations of music and can represent everybody.”

Alsalman divides his time between the UAE and Canada and will perform tomorrow at the Dubai International Film Festival, ahead of a documentary about Palestinian rap music.

Sit back and enjoy a few stories from Primo...

Courtesy of missinfotv.com (Thank ya!)




Check this video out. Very funny stories about a glorious time of hip hop and how he met B.I.G.

Thursday, December 11, 2008

My man 8-Off killed it with this dance...LOL



Yes, it was awkward and off beat, but damn he killed it the summer this dropped.


Peep Ashanti at the 3:36 mark

I still love this commercial .....

OOoOOoOoWeeeeeeEeE! 50 did his thing, but Young Hova did the damn thing. Whoa. Just Blaze chopped the isht out of that Honeydrippers sample.

PLEASE SUBSCRIBE!! :-)

I have received several emails on how to subscribe to my blog. Well , here it is.

If you want to subscribe to my posts only, click the post button located on the left side of the page. Then, click the button that you want. (i.e if you use yahoo, click the yahoo button)

If you want to subscribe to the comments, click the comments button. Then click the appropraite button.

One...

Jeezy's full of isht...

Hey family....

I am sorry, I have a mini rant on everyone's favorite hood godson, Young Jeezy. While I acknowledge that most rappers have a thread of hypocrisy in their lifestyles and music, I just couldn't get over the most glaringly, self righteous piece of bullshucks that this album is comprised of.

Young Jeezy's newest LP is called "The Recession." Correct? Correct. In his interviews, he has gone on record numerous times exclaiming that the "coke prices have dried up", "the streets are hungry", and people's situations are really kcufed up. Okay, you want to play ghetto CNN, cool. You want to play the hood's voice, great!

BUT....

Not only a moment later, on the same album entitled "The Recession", does he go on to sing about how "blue is Lambo is" and "it's rims better be blue too." (My President's Black). If you are the hood representative, the hood savior and so on, to toss ones wealth in the face of the downtrodden is quite shameful. And please don't give me that "Well, when I do good, the hood does well." Negro please... Enough with the fake foundations, turkey give outs, and etc. I'd rather you talk about how rich you are and coke sales than pose as this servant of the people.

One...

"My president is black, my Lambo's blue/And I'll be goddamned if my rims ain't too/My money's light green and my Jordans light grey/And they love to see white, now how much you tryna pay?" - Young Jeezy

The Stefon Marbury THEY don't want you to know...


Hey fam...


I can't remember where I found this article, but I thought it was well written. A whole lot of people really hate Stefon Marbury for no reason. I know for some, it's hard to see past the basketball antics, but I have always respected dude's heart...especially when it comes to family, community and empowering the downtrodden. is Stef a saint? No. But I think the article below may have an impact on how you feel about him.


And yes...I have a pair of white Starbury's that I rock with pride.


One - Cap-D




“YOU DON’T KNOW STEPHON MARBURY”

December 3, 2008

”THE QUINTESSENTIAL SELFISH ATHLETE”
You want to talk about Stephon Marbury’s exile from the Knicks… after not jumping at the opportunity for playing time offered by Mike D’Antoni. Yeah, you want to talk about ”he said-he said”, Marbury’s “unprofessionalism”, that he is — as one ESPN pundit said this week — “the quintessential selfish athlete”. That’s right. You want to talk about his selfishness — not his selflessness. Fine, soon enough. But to truly understand Stephon-the-player, we must first understand Marbury-the-man. Simply put:

Stephon Marbury is an American hero and sports’ greatest humanitarian [1]. And only in America — and its cartoonized world of sports coverage — can he become a villain.

I know, I know. You want to talk about the millions of dollars Marbury is making… how he is a “rich”, “spoiled”, “ungrateful”, “diva”, “me-first” athlete. Yeah, you want to talk about the millions he makes – but not the millions he has given away. That’s right. I want to talk about the $500K that Marbury pledged to Katrina victims, or the $4 million dollars he pledged to New York City police, firefighters, EMS, and teachers. He said:

“…if it saves more lives, I’m down for that. As far as making a difference in that manner, I feel compelled to do that… After 9-11, and all the families that have lost loved ones, it was a big hit to the city and to the world… This is basically about giving back…

if you don’t know what he has given, then you don’t know Stephon Marbury.

You want to talk about the day Marbury went AWOL from the Knicks after former coach Isiah Thomas benched him. Yeah, you want to talk about that day — but not that night. That’s right, I want to talk about that night when Marbury could be found “crying like a baby”. Self-pity? Not quite. Marbury was mourning the death of long-time community mentor Robert Williams — more commonly known as Mr. Lou. Marbury — who once bought Mr. Lou a Cadillac — offered to pay for all of the funeral expenses. All this happened during Marbury’s alleged most selfish hour.

But if you don’t understand what Mr. Lou was all about, then you don’t know Stephon Marbury.

You want to talk about the truck where Marbury famously requested and received consensual sex from a Knick employee. Yeah, you want to talk about “the truck” Mr. Adande — but not “the 18-wheelers”. That’s right, I want to talk about the two 18-wheelers that Marbury rolled into his hometown Coney Island with 75,000 items of free merchandise during “Starbury GiveBack Day”. …Or how Marbury visits youth on the first day of school… or how youth must read three books to play in his charity tournament, or how Marbury’s youth outreach efforts were in full effect both as a member of the Phoenix Suns and the New Jersey Nets before that. After paying an inspiring hospital visit to a 17-year old who just came out of a coma, Stephon said:

“This is where I’m supposed to be… And this is what I’m supposed to do”

But if you don’t know about his unwavering commitment to youth, then you don’t know Stephon Marbury.

Yeah, you just want to talk about the game – but not “the shoes”. But I want to talk about “Starbury One”, the revolutionary $15 sneaker that Dallas Mavericks owner, Mark Cuban, called “the biggest business story of the year.” Despite business growing pains [2], Marbury sowed the seeds of a movement that soon included basketball player Ben Wallace, tennis star Venus Williams, actress Sarah Jessica Parker, and others. All of a sudden newer NBA stars wanted to follow suit. Marbury said:

“The big picture is not having a $200 pair of sneakers when your mother’s income is $15,000. When you walk into a store, you are not being held hostage any more.”

If billionaire corporations like Nike have their way, then you won’t know Stephon Marbury.

ESPN doesn’t want you to know Stephon Marbury either. The man is simply too complex to fit into their “good-vs.-evil-only” sports narratives. Besides, black villains get much higher ratings than black visionaries. When Tony Romo took a homeless man to the movies last month ESPN.com was on the scene, just as it was when Romo helped a man fix a flat tire. ESPN The Magazine soon wondered: “Why is Tony Romo such a Good Samaritan?”, and all of ESPN’s afternoon shows had effusive praise culminating in one “Pardon The Interruption” (PTI) pundit exclaiming: “How can you not love Tony Romo!”

Well, here is one way: Don’t report any of his good deeds! Ignore him like you did Marbury watching the presidential debates in a homeless shelter just a month prior. Ignore his annual charity events; ignore his Katrina response; ignore his record-setting donations, and ignore that a great week in the life of Tony Romo is like breathing to Stephon Marbury. But ESPN did not report ANY of these stories. His revolutionary $15 sneaker? Pardon the Interruption had this headline: “Can Marbury repair his image?” …Well, not if ESPN keeps framing it!

Given their selective, biased, and virtually criminal coverage of his career, you really can’t be blamed if you don’t know Stephon Marbury.

Save for notable exceptions like The New York Posts’ Marc Berman [3] and Knicks website writer Tom Kertes, ESPN’s Marbury treatment has been the general media rule. Only a few blogs are talking about the real Marbury. In this Interview with The Starting Five, hip-hop legend Chuck D says:

“Stephon Marbury… provides affordable gear and went into the Coney Island area and bought up all the barber shops so kids can get free hair cuts. I’ve never heard anything as incredible as that. [He] can walk threw Coney Island and has an aura. People know he’s looked out. Nobody will touch him in the hood.”

While ESPN is writing cover stories on athletes “living scared”, they should let their readers get to know why Stephon Marbury is “living free”. In his childhood, nobody was allowed to touch Marbury either. Once his prodigious basketball talent was recognized, local drug dealers made sure that no one approached or sold to him. Marbury was protected then, and has been giving back protection ever since — with a slight twist. Stephon recognized both the virtue and flaw within that drug dealer code. About his recent million dollar pledges, he said:

“Giving the money to the teachers is important because …[they] are feeding [children] their foundation. When I hear about budget cuts as far as schools, I just don’t understand that. I mean, not when we’re trying to allow our kids to become the leaders of the world! I want to create an environment where all of our schools prepare kids to go to places such as Harvard and Yale.”
If media “understanding” was as popular as “condemning”, we might be told that Marbury’s human weakness are connected — if not inseparable — from his phenomenal strengths. And the crux of that connection is:

LOYALTY.

Stephon was initially loyal to his last three coaches[4]. But despite falsely promising “a clean slate” no coach treated Marbury worse than Mike D’Antoni [5]. Isiah Thomas was loyal at first until a scapegoat was needed. And career nomad Larry Brown has never been loyal to anyone but himself. They were unlike some of the great New York City coaches like Pat Riley, Joe Torre, Bill Parcells, and Jeff Van Gundy who knew the big city coaching code: 1) protect your players; 2) handle all differences in-house, and 3) always keep the NYC media tabloid vultures at bay. But Stephon was undeniably scapegoated by all three [6]. And for his part, the reactive and difficult Marbury wears scapegoatism quite well (see signature over-the-head towel).

A closer inspection of Marbury’s reaction to his coaching feuds brought up a clear pattern. Marbury used words like “trust”, “disrespect”, “personal”, and even “foxhole”. What media often dismissed as merely “petulance” revealed a much deeper emotion: it was betrayal.

Betrayal is the ugly flip-side of loyalty’s coin. Marbury is cut from a different cloth. He is not loyal to a game or a contract, he is loyal to people. While his recent coaches all have their own track-records of Marbury-like stubbornness, none match his virtues. Those probably come from his original coach and mentor: Mr. Lou. Stephon’s brother Don said: “Without Mr. Lou, there is no Stephon.” Don wasn’t just talking about basketball either.

If his recent coaches expected him to be a ”Stepford-athlete”, they didn’t know Stephon Marbury.

Another clue came a few years ago after Larry Brown complained to the press one too many times. Marbury said “enough is enough” and warned us all:

“if something’s going to be said, I’m going to defend myself. My mother taught me that. Somebody hits, you hit them back”

“Mama said knock you out!” She is the same mother who personally cooks for 40 youth after Stephon brings them to his own personal home for a weekend stay-over. Mabel Marbury (and father Don) helped instill a value system and raised Stephon to be a great man first, and a great player second. Those values were recently on display in a most unconventional trash-talking session where Marbury said to his opponent:

“You’re nothing!… You’re caught up in basketball. Get caught up in life.”

Touche! …I think?

Statements like these, eccentric TV interviews, and “war-like” analogies often garner a “crazy” label from his media critics. But in a popular culture that values placing a round ball in a round cylinder over civic responsibility, Marbury may be the sanest of all. He has managed to escape the corporate “conveyor belt” that William C. Rhoden explains in his explains in his brilliant book “$40 Million Dollar Slaves”. And…

if you can’t understand Marbury’s reaction to broken loyalty, then you probably can’t understand his greatness.

“Apples and oranges” you say? If so, how would you know? Did you break down crying in public after watching news footage Hurricane Katrina? While sobbing, Marbury said:

“You see little babies floating in the river. It’s amazing. It’s amazing these people are still just going (on). You complain about the little things. But we’re just so fortunate to breathe and walk knowing all of this is going on.”

Marbury feels pain, empathy, and loyalty in far greater intensity than his athletic peers, coaches, fans, media, and this author. That’s why we can give high-handed lectures on “professionalism”, but he can go out and change the world. But most sports media mocks what they don’t understand. Because if it didn’t, then it would recognize Stephon Marbury as — warts and all –

…the greatest “person-athlete” of our times.

We say “where have you gone Joe DiMaggio?” while forgetting that he was a protected media myth. We say “why aren’t athletes involved in the community?”, but barely report on our greatest sports activist. We say: “what about the kids?” while Stephon is out saving them. He does not share the polish, the easy-going personality, the temperament, or the eloquence of a president-elect Barack Obama, yet he needed no fancy title to lead Obama and the rest of us to a “national call to service”. The fact that he is an imperfect hero in an imperfect package is precisely what makes him the perfect role model. I have the tools to be great like Marbury long before I can be great like Obama.

…And the more I think about it, the more I believe that I know Stephon Marbury.

Marbury is that hard-to-get-along-with friend of mine who I never fully appreciated. But then I remember the time when I got kicked out of college, and was stuck with a $3500 bill if I ever wanted to return. Then I think about a couple of years later when my father passed away. Then I reflect on the time that I went through a divorce. And each time you know what happened – Stephon Marbury showed up… to pay my college bill… to tell me he would “kick my ass” if I didn’t study and graduate… to comfort me in a time of great loss… or just to share his own helpful advice. Yeah, I have been truly fortunate to know Stephon Marbury.

But what about you? Maybe you got locked up, and he kept showing up while your other “friends” suddenly disappeared. Maybe you suffered from addiction, depression, cancer or got sick in the hospital, and he helped pull you through. Or maybe you could no longer pay your rent, mortgage, or telephone bill, and you could only think of one person to call. At your lowest most shameful moment, he appeared without judgment or scorn. Yeah, maybe I was wrong…
maybe you do know Stephon Marbury.

Wednesday, December 10, 2008

What is the rap world's fascination with the word "young?"

young (yng) KEY ADJECTIVE: young·er , young·est

Meanings:
  • Being in an early period of life, development, or growth.
  • Newly begun or formed; not advanced: The evening is still young.
  • Of, belonging to, or suggestive of youth or early life: He is young for his age.
  • Vigorous or fresh; youthful.
  • Lacking experience; immature: a young hand at plowing.
  • Being the junior of two people having the same name.
  • Geology Being of an early stage in a geologic cycle. Used of bodies of water and land formations.

Over the past three years or so, I have noticed a disturbing trend that has infiltrated the hip-hop world. It's the usage of the word "young" for everything. The first time I ever heard it being used was by Young Zee.

Based on my personal observations, no one wants to be associated with the word "old", "wise", or "experienced." Since everyone these days are acting childish and inappropriate, it's actually a suitable moniker to describe the mindstate of many of our current emcees.

Below is a list of names of all emcees that have used Young in their name....feel free to add on!
  • Young Hova, Young H-O
  • Young Jeezy
  • Young Money (name of Lil Wayne's label)
  • Young Zee (husband of Rah Digga, founder of the Outsidaz rap group)
  • Young Berg
  • Young F-A-B-O
  • Young Dro
  • Young Buck
  • Young MC
  • Young Tony
  • Young Black
  • Young Gunz
  • Young Chris
  • Young Neef
  • Yung Wun
  • Young Primo
  • Young Noble

Michael "Boogaloo Shrimp" Chambers - The Broom Dance


Morning Family!!

Anyone that knows me should know that I am huge fan of any form of hip-hop dancing. particularly poppin'.
As a kid, my first foray into poppin' was Michael "Boogaloo Shrimp" Chambers. I first saw him in the cult classic, "Breakin'" and "Breakin' 2"(To the hip hop historians out there, yes, yes, I know that Poppin' Pete, Skeeter Rabbit (RIP) and Poppin' Taco are the daddies of poppin')

Here's a little info on "Turbo,"

Michael Chambers (born 1967) is an American dancer and actor known for his role as "Turbo" in the 1984 cult classic film Breakin' and the 1984 hit sequel Breakin' 2: Electric Boogaloo. In both movies he is credited as Boogaloo Shrimp, a name that remains inextricably linked to the Hollywood phase of popping, boogaloo and robot dancing also the freestyle art of b-boying. During the height of the popularity of those movies, he and other's from the films appeared in the Chaka Khan music video for the song I Feel for You.

Chambers, nicknamed "shrimp" by his sister, got an early entrée into professional dancing via television commercials, followed by an appearance in the video for Lionel Richie's All Night Long. In 1985, he co-starred in "Stop the Madness," an anti-drug music video sponsored by the Reagan administration, featuring several famous musicians, actors and athletes.

He also appeared in such films as Naked Gun 33⅓: The Final Insult, Bill and Ted's Bogus Journey as a dancing robot and in the 1999 film Dudley Do-Right. He also appeared as Urkel-Bot in a 1991 episode of Family Matters, again as a robot.

Chambers was the announcer on the kid's show Fun House from 1990-1991. In contrast to his style of dancing, he would dance while "rapping" the opening spiel at the start of the show. He appeared in the Sugar Ray's 1997 video of the song Fly and breakdanced in the video. He is currently employed at Walt Disney World as "Break Dancing Mickey".

And now...the infamous BROOM DANCE!!!!!!

Tuesday, December 9, 2008

Black Woman Walking



Very powerful documentary...


Fellas...let's get our isht together. For real.


One - Cap-D

Stop the b*tcha*sness and hate!! T-Pain is a talented artist. Here's why!!


Hey there family! Good morning!

I have a guilty pleasure to admit...well, kcuf it...I have a musical flavor that I am "coming out of the closet" to admit that I love....(takes deep breath)

I...like...T-Pain's music.

THERE...I SAID IT!! ARE YOU HAPPY NOW??? LOL!

And you know what? To all my contemporaries who say that T-Pain is trash or wack, you are lying. I will prove this fact a little later in my blog.

I know that about 2000 of my closest hip hop head homies are throwing up there hands in exasperation right about now, but you know what? Dude is incredibly talented. KCUF THAT!Ever since his debut album "Rapper Ternt Sanga" I have kept a close eye on this dude's career, wondering if he would flop. Needless to say, he has become an indomitable force in the industry and he consistently keeps making hot cuts. (Big up to my dawg Akon for locking him down on Konvict Records. Homie, there are a lot of angry record execs who wished they did the same) Since Nate Dawg's multiple strokes have keep him off the radar, other than Akon, T-Pain is the new hook master.

Let's talk a little history on "Teddy Pinned-her-ass-down", shall we?

Faheem Rasheed Najm (born September 30, 1984), better known by his stage name T-Pain, began his career as a rapper in the group Nappy Headz. In 2005, his debut album Rappa Ternt Sanga was released and spawned the hits "I'm Sprung" and "I'm N Luv". Since the release of that album, T-Pain has produced numerous hits of his and numerous other rappers and R&B singers. T-Pain has also had over 10 top ten singles on Billboard Hot 100.

Since we are in the age of validating an artist's merit based on his record sales, T-Pain has definitely done the damn thing. His first LP, sold over 800,000 units (gold), his second "Epiphany" is standing strong at 1,200,000 (platinum), and his latest album "Thr33 Ringz" debuted at 278,318, which is on pace to go gold.

What I like about T-Pain is that he brings a freshness to the game. Personally, I view him in the same vein as Missy Elliot or Busta Rhymes in terms of boisterous antics, ability to push the box in music and yes, sheer volume of guest appearances. The aforementioned artists were equally overly saturated on other peoples tracks like T-Pain and all of them bring a flavor to other peoples' cuts in a collaborative fashion. (It wasn't too long ago when people was snapping on Missy for making cartoon noises and sounds in her raps. Remember when ya'll were hating on her for that? Now she's a genius in your eyes. Finicky fothermuckers.)

The one thing that I do hate is when I hear someone say, "Oh that cat has no talent and is only singing through a computer." Well, you are partly right about the technology, but not about the ability. As I mentioned in my past posts, Auto-Tune will enable you to "computerize" your voice, but the song craftsmanship, singing ability and talent cannot be re-produced by the computer. Let me give you an example.

Right now, Ron Browz' "Pop Champagne" and "Arab Money" are hot on the charts right now. But if you listen to the tracks, Ron always sings in one key. Also, his breath control is very lackluster (You can hear him gasping for air) and lastly, the production is "okay." It's the guest artists that makes Browz' cuts hot IMHO. This is not the case for T-Pain. T-Pain makes OTHER peoples' tracks hot. Imagine Kanye's "Good Life" without T-Pain? How about Luda's "One More Drink?" Or maybe DJ Khaled's "So Hood?" T-Pain can actually sing and spit a decent 16. Plus he produces!! You have to give props where props is deserved.

Now, back to my earlier statement about how all these so-called "T-Pain haters" who don't like his music or what he does. Listed below are all of the guest appearances that he has done over the past three years. If you can honestly look through this list and say that you have not sung, bought, downloaded or simply enjoyed one of his hits, then you must be a corpse. And before you say "Well he's overexposed and I have no choice but to listen to him", that's a kcufing cop out. You can merely change the channel, skip his songs in your i-pod or etc.

Stop lying to yourself and come out the closet. You like T-Pain too!

One - Cap-D

T-Pain Guest Appearances
Baby Don't Go" (Fabolous feat. T-Pain)
"I'm So Hood" (DJ Khaled feat. T-Pain, Trick Daddy, Rick Ross & Plies)
"U and Dat" (E-40 feat. T-Pain & Kandi Girl)
"On Bail" (Xzibit feat. The Game, Daz, & T-Pain)
"Know What I'm Doin'" (Birdman & Lil Wayne feat. T-Pain & Rick Ross)
"Send Me an E-Mail" (J-Shin feat. T-Pain)
"I Can't Wait" (Akon feat. T-Pain)
"Outta My System" (Bow Wow feat. T-Pain)
"Ball Out ($500)" (BlakJak feat. T-Pain)
"Cutty Buddy" (Trillville feat. T-Pain)
"Dance 4 Me" (T-Pain remix) (Mark Morrison feat. T-Pain)
"I'm a Flirt" (remix) (R. Kelly feat. T-Pain & T.I.)
"Flip the Game on Them" (Luv feat. T-Pain) (produced by T-Pain)
"Shawty" (Plies feat. T-Pain)
"Shawty 2" (Webbie feat. T-Pain)
"Shawty 3" (Young Steff feat. T-Pain)
"Shawty 4" (Dizasta feat. T-Pain)
"Studio 54" (J-Bo feat. T-Pain)
"U Ain't Know" (Sean P feat. T-Pain) (produced by T-Pain)
"Cyclone" (Baby Bash feat. T-Pain)
"2 Step (remix)" (Unk feat. T-Pain, Jim Jones & E-40)
"Same Girl (Triple Up Remix)" (R. Kelly feat. Usher & T-Pain)
"Pop, Lock and Drop It (remix)" (Huey feat. Bow Wow & T-Pain)
"Glad 2 Be Alive" (Huey feat. T-Pain) (produced by T-Pain)
"Who Is That" (Loon feat. T-Pain)
"She Got It" (2 Pistols feat. T-Pain & Tay Dizm)
"My Girl Gotta Girlfriend (remix)" (Ray Lavender feat. T-Pain & Dizasta)
"Ask for It" (Nivea feat. T-Pain)
"Good Life" (Kanye West feat. T-Pain)
"Riden Out" (Tampa Tony feat. T-Pain)
"What It's Like" (C.C. feat. T-Pain, Mack 10 & Shreddah) (produced by Shredda)
"Go Home With You" (Kardinal Offishall feat. T-Pain)
"Died in Your Arms Tonight (remix)" (Smitty feat. T-Pain)
"We Takin' Over" (Official Remix)" (DJ Khaled feat. Akon, T-Pain, R. Kelly, Lil' Kim & Young Jeezy)
"Everything" (Juvenile feat. T-Pain)
"Low" (Flo Rida feat. T-Pain) (produced by T-Pain)
"Who Is That" (Dolla feat. T-Pain & Akon)
"Who the Fuck Is That?" (Dolla feat. T-Pain & Tay Dizm)
"Greatness" (Chris Brown feat. T-Pain) (produced by T-Pain)
"Kiss Kiss" (Chris Brown feat. T-Pain) (produced by T-Pain)
"Creep Fast" (Twista feat. T-Pain)
"Hot As Ice" (Britney Spears feat. T-Pain (background vocals)
"About U" (Nappy Headz feat. T-Pain)
"Table Dance" (Boyz n da Hood feat. T-Pain)
"Come Cum" (Dem Franchize Boyz feat. T-Pain)
"The Let Out" (Cupid feat. Tay Dizm & T-Pain)
"Bounce" (Foxx feat. T-Pain) (produced by T-Pain)
"Lunch Box" (Yola Da Great feat. T-Pain) (produced by T-Pain)
"Come & Get Us" (Brisco feat. T-Pain) (produced by T-Pain)
"Untouchable" (Snook feat. T-Pain) (produced by T-Pain)
"Play Play" (Suave Smooth feat. T-Pain)
"Feelin' It (Remix)" (Sammie feat. Lloyd & T-Pain)
"Nappy Life" (Tay Dizm feat. T-Pain)
"I'm So Hood" (Trick Daddy feat. T-Pain & Tay Dizm)
"Freaky Song" (Notty Black feat. T-Pain)
"Supa Sexy" (Charlie Wilson feat. T-Pain) (produced by T-Pain)
"I'm Sorry" (Jay Lyriq feat. T-Pain) (produced by T-Pain)
"Can't Deal" (Jay Lyriq feat. T-Pain) (produced by T-Pain)
"So Fresh" (Young Wine feat. T-Pain)
"Shawty Get Loose" (Lil Mama feat. T-Pain & Chris Brown) (produced by T-Pain)
"Drop It Down Low" (A.K. feat. T-Pain)
"Fly Away" (City Boy feat. T-Pain)
"Tell Me This" (Huey feat. T-Pain, Tay Dizm & Memphitz)
"The Boss" (Rick Ross feat. T-Pain)
"Migrate" (Mariah Carey feat. T-Pain)
"Cash Flow" (Ace Hood feat. Rick Ross & T-Pain)
"Moon of Dreams" (Ruslana feat. T-Pain)
"Yo Chevy (Remix)" (Thrill Da Playa feat. T-Pain & Doe Boy)
"Happy Now" (Tay Dizm feat. T-Pain)
"Feel Good" (Tay Dizm feat. T-Pain)
"We Got That Gas" (Tay Dizm feat. T-Pain)
"Real Ass Nigga" (Tay Dizm feat. T-Pain)
"Bonus So Hood Remix" (Tay Dizm feat. T-Pain & Trick Daddy)
"Pop My Colla" (Tay Dizm feat. T-Pain)
"Give It to Ya" (Phar-City feat. T-Pain)
"Ain't Nothin In My Way" (Blood Raw feat. T-Pain)
"I Bet" (Flo Rida feat. T-Pain)
"Freaky Shit" (Birmingham J feat. T-Pain)
"What It Is (Strike A Pose)" (Lil Mama feat. T-Pain)
"Beam Me Up" (Tay Dizm feat. T-Pain & Rick Ross) (Prod. By Bangladesh)
"44" (Yukmouth feat. T-Pain)
"Set You Off" (J-Will feat. T-Pain & Blood Raw)
"Blown" (Busta Rhymes feat. T-Pain)
"Cutty Buddy" (Mike Jones feat. Lil Wayne, Twista & T-Pain)
"Superbad" (Sophia Fresh feat. T-Pain & Cee-Lo Green)
"Freakin'" (Tay Dizm feat. Gorilla Zoe & T-Pain)
"Stop Playin" (Usher feat. R. Lovette, Michael Jackson & T-Pain)
"Natural High" (Colby O'Donis feat. T-Pain)
"Go Girl" (Ciara feat. T-Pain) (Produced by T-Pain)
"A Milli Freestyle" (Young Ca$h feat. T-Pain)
"I'm A Killer" (Krayzie Bone feat. Twista & T-Pain)
"I'm Different" (Young Ca$h feat. T-Pain)
"Make Movies" (Young Ca$h feat. Sophia Fresh & T-Pain)
"Feel It" (DJ Felli Fel feat. Pitbull, Sean Paul, Flo Rida & T-Pain)
"Blown" (Busta Rhymes feat. T-Pain)
"U Wanna" (Sterling Simms feat. T-Pain)
"Willy Bounce" (Nicole Scherzinger feat. T-Pain)
"Talk" (Timbaland feat. T-Pain) [Original Version]
"Talk" (Missy Elliott feat. Timbaland & T-Pain)
"Go Hard (DJ Khaled feat. Kanye West & T-Pain)
"She Fine" (Chrome feat. T-Pain) (Produced by DJ Paul & Juicy J)
"She Want It" (Plies feat. T-Pain) (Produced by T-Pain)
"Sun Come Up" (Birdman & Rick Ross ft. T-Pain & Glasses Malone)
"Pop My Collar" (Ray L feat. T-Pain)
"Say" (Timbaland feat. T-Pain)
"What's Wrong (Go Away)" (Jennifer Hudson feat. T-Pain)
"One More Drink" (Ludacris feat T-Pain)
"Ride (Remix)" (Ace Hood feat. T-Pain, Rick Ross & Juelz Santana)
"Holla Holla" (Akon feat. T-Pain)
"She's My" (Bow Wow feat. T-Pain)
"Stop Playing" (Usher ft. R. Lovette & T-Pain)
"Give Her The Keys" (E-40 feat. T-Pain)
"Club Hop" (Raheem DeVaughn feat. T-Pain)
"Everybody Else" (Black N Mild feat. T-Pain)
"Take You Down" (Ace Hood feat. T-Pain)
"Download" (Lil Kim feat. T-Pain)
"Arab Money (Remix, Part 1) (Busta Rhymes Feat. Ron Browz, Diddy, Swizz Beatz, T-Pain, Akon, & Lil' Wayne)
"Dirty Girl" (Bow Wow feat. T-Pain)
"My Own Steps" (Polow da Don feat. T-Pain)
"Ride My Scooter" (Scooter Smiff feat. T-Pain)
"Blame It (On The Alcohol)"(Jamie Foxx feat. T-Pain)


T-Pain Produced singles
2005: "I'm Sprung"
2006: "I'm N Luv (Wit a Stripper)" (featuring Mike Jones)
2007: "Buy U a Drank (Shawty Snappin')" (featuring Yung Joc)
2007: "Bartender" (featuring Akon)
2007: "My Girl Got a Girlfriend" (Ray L)
2007: "Kiss Kiss" (Chris Brown featuring T-Pain)
2007: "Church"
2007: "Low" (Flo Rida featuring T-Pain)
2007: "Who the Fuck Is That?" (Dolla (rapper) featuring T-Pain and Tay Dizm
2008: "Shawty Get Loose" (Lil Mama featuring T-Pain & Chris Brown)
2008: "I Can't Wait" (Akon featuring T-Pain)
2008: "Moon of Dreams" (Ruslana featuring T-Pain)
2008: "Got Money" (Lil' Wayne featuring T-Pain)
2008: "Can't Believe It" (featuring Lil Wayne)
2008: "Go Girl" (Ciara feat. T-Pain)
2008: "Chopped & Skrewed" (featuring Ludacris)
2008: "Freeze" (feat. Chris Brown)
2008: "Holla Holla" (Akon feat. T-Pain)

"Bubble Bath" (Git Fresh)
"He Ain't Gotta Know" (Bow Wow & Omarion)
"Somethin' 'Bout The Music" (Chilli)
"Ooh" (Chilli)
"U Ain't Know" (Sean P feat. T-Pain)
"Flip the Game on Them" (Luv feat. T-Pain)
"Greatness" (Chris Brown feat. T-Pain)
"Bounce" (Foxx feat. T-Pain)
"Lunch Box" (Yola Da Great feat. T-Pain)
"Come & Get Us" (Brisco feat. T-Pain)
"Untouchable" (Snook feat. T-Pain)
"Supa Sexy" (Charlie Wilson feat. T-Pain)
"I'm Sorry" (Jay Lyriq feat. T-Pain)
"Can't Deal" (Jay Lyriq feat. T-Pain)
"Yo Chevy (Remix)" (Thrill Da Playa feat. T-Pain & Doe Boy)
"Happy Now" (Tay Dizm feat. T-Pain)
"Feel Good" (Tay Dizm feat. T-Pain)
"Pop My Colla" (Tay Dizm feat. T-Pain)
"Superbad" (Sophia Fresh feat. T-Pain & Cee-Lo Green)
"I'm Different" (Young Ca$h feat. T-Pain)
"Make Movies" (Young Ca$h feat. Sophia Fresh & T-Pain)
"Swagger" (Asia Cruise feat. Yung Joc)
"What's Wrong (Go Away)" (Jennifer Hudson feat. T-Pain)
"She's My" (Bow Wow feat. T-Pain)
"At the Time" (Usher)
"Give Her The Keys (E-40 Feat. T-Pain)
"Everybody Else" (Black N Mild feat. T-Pain)
"Take You Down" (Ace Hood feat. T-Pain)
"She Want It" (Plies feat. T-Pain) (Produced by T-Pain)
"Stop Playing" (Usher ft. R. Lovette & T-Pain)